David Dean, Author at Shakori Hills GrassRoots Festival of Music & Dance

Spring 2020 Festival Cancellation Announcement

March 15, 2020 by David Dean 3 Comments

Dearest Friends,

The time has come to make a tough decision regarding the 18th Annual Spring Shakori Hills GrassRoots Festival of Music & Dance.

As you all know, Shakori Hills is a very special place that brings together music and dance fans twice a year to celebrate life and art. Therefore, you know how painful it is to announce the cancellation of the Spring 2020 festival due to the coronavirus.

Carol Woodell, board president of the Shakori Hills Community Arts Center (SHCAC), would like you to know, “In the interest of slowing the spread of coronavirus disease 2019 (COVID-19) and with particular concern for the health of our festival family, the performers, staff, and our Chatham County community, it is with deep sadness that we are canceling our Spring festival,” said Carol Woodell, board president of the Shakori Hills Community Arts Center.

The SHCAC is also cancelling all other programs until further notice, including all Road to Shakori shows, the Junior Appalachian Musicians classes, and multiple voice and art classes.

Carol said, “We choose to be proactive, given Governor Cooper’s Executive Order and the CDC’s recent recommendation that large events and mass gatherings be cancelled or postponed for the next 8 weeks. While we very much hope life returns to normal by early May, we are mindful of the scientific consensus that unknowns lie ahead. We want to see all of our supporters back healthy and safe in October.”

As previously announced, no ticket refunds will be given, instead SHCAC is waiving the no transfer clause of the purchase agreement.

All tickets and camping passes will be transferred to the fall 2020 festival, happening October 8 – 10.

However, ticket holders who prefer their purchases to be transferred to the Spring 2021 festival (May 6 – 9, 2021) are asked to please complete the online form found on the Tickets page by 5:00 p.m. Friday, April 17, 2020.

Donations to help ensure the continuation of our non-profit festival, and the important mission of the SHCAC to provide music and arts education to underserved communities in the Piedmont, can be made via PayPal on www.shakorihills.org or via the blue donate button the SHCAC Facebook page.

Carol has also made a commitment to everyone who launches a Facebook fundraiser to benefit SHCAC: she will personally donate $25 to every SHCAC fundraiser launched on Facebook.

Festival questions can be submitted to shakorihills@grassrootsfest.org for the quickest response or by calling the office at (919) 542-8142.

Thank you for your understanding and support. We encourage you to stay in touch with us on social media and look forward to seeing you in the fall to celebrate!

Sincerely-

Shakori Hills GrassRoots Festival Staff

COVID-19 Letter to Our Festival Family

March 10, 2020 by David Dean 2 Comments

Dear Friends,

We are reaching out to assure you we are monitoring the COVID-19 (Coronavirus) situation in North Carolina. Like many others, we are taking guidance from the Centers for Disease Control and Prevention (CDC), the World Health Organization, the State of North Carolina Department of Health and Human Services, and other state and local resources. The health and safety of our festival attendees, volunteers, performers, and staff has always, and will continue to be, our highest priority.

We will be working with the Chatham County Health Department and other local and statewide officials to make decisions that are in the best interest of our festival family. We encourage you to follow CDC cleaning and disinfection guidelines which you can find by clicking this link.

At this time we expect the 18th Annual Spring Shakori Hills GrassRoots Festival of Music & Dance to go on as planned May 7 – 10, 2020.

We understand there is concern around ticket purchases. Our ticket policy, located on the Tickets page of the festival website, states all sales are final. However, in the event of cancellation, any and all Spring 2020 tickets will be honored at your choice of the Fall 2020 or Spring 2021 festival.

For the fastest response, festival questions can be sent to us at shakorihills@grassrootsfest.org.

Thank you for your patience and continuing support as we monitor the outbreak. Please subscribe to our enewsletter, follow us on social media, and bookmark our blog to stay up-to-date.

Sincerely-

Shakori Hills GrassRoots Festival Staff

2020 Shakori Hills GrassRoots Festival Dates

October 30, 2019 by David Dean 12 Comments

Shakori Hills banner in the Outpost — photo by Elizabeth Larson

The biannual Shakori Hills GrassRoots Festival of Music & Dance will be held Thursday, May 7 through Sunday, May 10 and Thursday, October 8 through Sunday, October 11, 2020. These dates will be the 18th annual spring festival and 17th iteration of the fall festival.

Tickets for Spring Shakori Hills GrassRoots will be available at the Holiday Rate starting Weds., Nov. 13 at 10:00 a.m. through midnight Tues., Dec. 31, 2019. The Holiday Rate is the lowest ticket rate offered for the spring festival.

Early Bird tickets will be available starting Weds., January 1, 2020 through January 31, 2020 and at that time tickets will increase to Advance Rates. Tickets will be available at the gate starting Monday, May 4, 2020.

Ticket details for the fall festival will be announced at a later date.

Typically, the festival starts the first Thursday in May and October. It just so happens the first Thursday in May, 2020 falls on Mother’s Day weekend.

Therefore, we are going to celebrate moms at the spring festival! There will be a champagne toast on Mother’s Day and we are working on several other programs to say, “thanks, Mom!” More details will be announced as we get closer to the spring festival.

The fall festival in October has been moved back one weekend and will start the second Thursday of the month. This change is due to the way 2020 falls on the calendar.

Shakori Hills GrassRoots Festival of Music & Dance is a non-profit event that benefits the Shakori Hills Community Arts Center, itself a non-profit. The Shakori Hills Arts Center provides free or greatly reduced music and arts programs to rural communities in Chatham, Orange, and Durham counties.

The festival takes place on 72 acres outside of Pittsboro that have been described as a, “music lovers’ paradise.” The site accommodates four stages and an average of 50 acts per festival. Recent headlining acts include Lukas Nelson and Promise of the Real, Galactic, and Steve Earle.

More information can be found online at www.shakorihillsgrassroots.org and by searching for the #ShakoriHills hashtag on social media.

Burn Ban for Fall 2019

September 30, 2019 by David Dean 5 Comments

This post will be updated with any changes throughout the festival.

We are implementing a burn ban for the 16th Annual Fall Shakori Hills GrassRoots Festival of Music & Dance.

This includes all open flames, such as campfires, Tiki torches, charcoal fires, etc… Gas grills are allowed. Camp Rangers will be enforcing this ban.

Conditions on the property are very dry and we ask that you keep this in mind throughout your stay with us this week.

We know how much the fires add to your festival experience and do not come by this decision lightly. However, given that we have not had significant rainfall in the last 30 days, we feel this decision is the safest for all attendees.

The nightly drum circle fire will continue, but we ask that you not burn at your campsite.

Please dispose of cigarettes butts properly and do not smoke within 15 feet of festival structures, including buildings, tents, and vendors.

If you need somewhere to store your butts, check out our new pocket ashtray in the merchandise tent.

Not permitted:

Open flame burning of any sort
Campfires
Charcoal grills
Tiki torches (FYI: the ground is hard as rocks)

Permitted:

Gas grills
Votive candles for jack-o-lanterns
LEDs / glow sticks

Review our Camping Policies and our Smoke and Fire Tips for additional information.

Help Bring the Pumpkin Parade Back!

September 17, 2019 by David Dean Leave a Comment

The Great Pumpkin will be visiting Shakori Hills GrassRoots Festival of Music & Dance each evening of the festival this fall, lighting the Woods Trail with a parade of mystical, magical jack-o-lanterns.

You can contribute to the beauty and fun by bringing a jack-o-lantern to the festival. We’ll have a crew of Great Pumpkin faithful hanging dozens of jack-o-lanterns in the trees along the Woods Trail and lighting them each night.

Pumpkin carving fall 2018 by Mike Shepherd — photo by Mike Shepherd

How you can help:

- - Bring a carved jack-o-lantern or two with you to the festival, and either a small LED light or a few votive candles.
  - Try to delay the carving until the night before you come, as carved pumpkins rot fast!
  - Dipping your carved pumpkin in a mild bleach solution can help delay the rot process
  - Find a spot for it along the Woods Trail
  - Replace your candle each evening
  - Or you can simply leave it at the Ranger Station between Middle Earth and Hilltop, and our Great Pumpkin Crew will find it a place and light it each evening
  - Alternatively, bring uncarved pumpkins to the Kids Area and let the young artists do the carving!

And make sure to come up the Woods Trail each evening to take in the spectacle!

Join the “Punkin Heads” group on Facebook if you have any questions or want to share Pumpkin Parade ideas.

Special thanks to the Wilson family (Tim, Kathe, Jeremy, Jacob, and Alex) who started and supported this beloved fall tradition for many years. Tim and Kathe decided to pass this fun activity on to the next generation and we need your help to get it done.

Thank you!

Roosevelt Collier: Good Times with Some Swampy Grime

September 11, 2019 by David Dean Leave a Comment

Over the years, Shakori Hills GrassRoots Festival has presented many headliners who have brought the thunder, along with a never-ending supply of good times. Yet, never before has Shakori Hills GrassRoots brought a headliner who knew how to bring the party quite like Roosevelt Collier.

Roosevelt has become known as “The Dr.” and an artist at large who brings the sweet sounds of funk with him wherever he goes. His music warrants its own genre of “dirty funk swampy grime,” which is guaranteed to be the cure for whatever ails you.

You can come and groove with Roosevelt Friday, October 4 at 8:30 p.m. on the Meadow Stage. In the meantime, make sure to listen to his album Exit 16, which is available on all major streaming sites.

I chatted with Roosevelt for a couple of minutes on his drive through Florida to his next music destination about his beginnings, his records, and what he is bringing this year to Shakori Hills GrassRoots Festival. What followed was a delightful conversation with a genuinely warm and bright individual.

How did you get started playing music?

I guess I was born with it. I was born into a family of music, y’know? Like everybody in my family played music, or went to see shows. I was born into the sound of music. I started playing through family and church.

Were you in the church choir or church band?

Yeah, all of that. Anything that dealt with church was me and my family. I was born and raised out of the church, so y’know all of my family played gospel music and sang in the choir and did all of that good stuff.

From there you also played with the Lee Boys for a while. What was that like?

That’s my family, y’know. That’s what I’m saying, we took what we were doing in church, and just moved it to the music scene. That was fun, it wasn’t nothing different except for us playing at the clubs and the festivals and the arts centers and all of that stuff. Man, that was a good time in my life just playing with my family.

I can’t even imagine how exciting it must’ve been to have that experience with the people you love.

It’s definitely like no other, y’know? You can’t find that bond nowhere else, just because it’s family.

Do you ever play together now?

Very rarely, they are busy and I’m busy so our timing is just not coming together right now.

So last year you came out with Exit 16, what was it like to record and produce that album?

Exit 16 came out under the great label, the GroundUP Label, which is spearheaded by Michael League from Snarky Puppy. Michael also helped to produce and write some of the tunes off of the record. And that was my first solo record, and the process was fully about learning how to make a record, and making some music.

I really want to thank that label and Michael League for just giving me a pair of wings, and just letting me explore my full potential as an artist, y’know? And that record did good! It was my first record and everybody loved it, and I’m so thankful and joyful.

It was a great task, and we all just went in and turned it out. I actually slept in the studio, I was knee deep in the process. We cut that record in about three days, going at about three tracks a day. We were in it. Bobby Sparks on the organ, JT Thomas on the drums, Michael League on bass, and me. And that’s it, man, that’s a wrap.

That sounds exhilarating to spend time in the studio and really turn this album out.

It was so fun! And I mean I guess, for me, I just wanted to be there. I didn’t want to get off track, so I stayed there late at night, woke up in the morning and got right back to it. It was a lot of fun, of course it’s tiresome too, there’s a lot going on with it, but the overall process is amazing and fun.

After finishing the album, you also went on tour with Michael League and the rest of Snarky Puppy. What was that like?

Oh, man! So I’m thankful for that. Michael League is huge on artists, he cares about artists more than anything in the world, which is very rare with a label, y’know? So they have this platform that allowed their artists to come in and open up for him and be a part of the tour.

Snarky Puppy, they are actually still on tour now, and all of the artists on the label, they give them face on the tour. They give us about 6-8 dates, and it was totally amazing. Every night big shows, big crowds, going on tour on a bus, and to be a part of that whole experience was amazing.

How did touring with Snarky Puppy compare to the Free Energy tour?

Those are two different tours. Me playing with Snarky was a great opportunity for me as their artist on the label to get exposure and just giving us a platform of letting our music be heard.

The Free Energy Tour, it’s a big co-billed tour. I went with another Florida band called the Heavy Pets, we’re friends. And we always talked about doing a tour together, so we decided ‘Let’s just do a co-billed tour together, and let’s name it this, and look to really go out and spread love.’ That’s why you have the Free Energy Tour. That tour there is a great thing, and those guys are a great Florida-based band, the Heavy Pets. We just gotta make sure there’s good music from the great state of Florida.

So you describe your music as ‘dirty funk swampy grime’, how would you describe that?

Y’know my music has been labeled just about everything. And I’m from the south, I’m from Florida, we are from the swamp. We get down and dirty. It’s more like my roots mixed with a lot of southern rock and blues and funk. So to an extent, you’ve got a swampy, dirty blues comin’ to you.

Your music has also been nominated for a couple of honors, starting with you being featured as an artist at this year’s WOMEX (The World Music Expo) in Finland.

Yes! I’m honored to be able to play WOMEX in October, y’know that’s a very big showcase, that’s one of the world’s biggest showcases. So I’m thankful and glad for that, and I mean I wasn’t expecting it at all, but this opportunity came so I’ve gotta take it, y’know? I am definitely ready for it.

You also were nominated by the 2019 UK Jazz FM Award for Blues Artist of the Year, what was that like?

Man, that was a pretty wild experience too. Just to be nominated for it is great, I wasn’t expecting it at all, not at all. And that helped me out a little bit there too, so man I’m forever thankful for London.

So going forward, what can we expect from your future music?

We are definitely working on another album, that’s definitely in the mix, and we’re gonna look for the next year to tour real heavy.

I’m already up in the studio working on it, it’s almost halfway done now. This one is definitely different. Where Exit 16 was the story of my life, [it] told the story of who I am, where I’m from, and where I’m going. So this record is gonna be one chapter of my life, which is more of the bluesy swampy stuff. Just because I’m a part of so many genres.

So, at Shakori Hills this year, what can fans expect from you?

Alright, Shakori Hills listen. Y’all better come ready to get down. They know that Rosie don’t play no radio baby. It is going down as soon as we hit the stage, so please come expecting to dance and party.

Ryan Montbleau: Bringing the Heart from Woodstock to Shakori Hills

September 4, 2019 by David Dean Leave a Comment

The recipe for a good singer/songwriter is as follows: some strong finger-picking skills, a voice that could either melt butter or crumble a mountain (whatever the mood calls for), and a ton of heart. Ryan Montbleau brings all of this to the table along with a sharp wit and a great attitude. Even after nearly 20 years in the music business, he’s still just as easy to talk to as an old friend that you haven’t seen in a while.

Montbleau’s first introduction to playing music came when he was given a guitar for Christmas at eight-years old. He came from a some-what musical family, with a brother who played bass. Yet, singing and songwriting was a passion that developed following his graduation from college. After four long years of studying, he eventually realized that music was what he wanted to dedicate his life to.

“[Music] was totally a passion… I couldn’t put that genie back in the bottle.”

“I went in as a chemical engineering major, and left as an English major. But I was studying poetry and writing, so it was a lot about the writing. And then I was as passionate about music as anyone…I just kept playing, I became really obsessed with playing guitar. Then I didn’t start singing in front of myself even, until I was 21.”

However, like most musicians at the beginning of their path, Montbleau wasn’t immediately playing stadiums packed with adoring fans. Instead, he began his music career paying his dues on staff at the original House of Blues (HOB) in Boston. Working for the HOB is where he began to understand and appreciate the industry side of the business.

“I would answer the phones and sell the tickets in the box office, I kinda did everything. It was my restaurant experience, I barbacked, scrubbed the bars, I sold t-shirts, I was a host, but mostly I worked in the box office. So it taught me about tickets and about guest lists and about bands and all of this stuff. It was pretty sweet.”

He continued, “It was a house in Harbor Square that they had converted into a venue upstairs, a restaurant on the middle floor, and I worked in kind of a little dungeon of a box office under the stairs. But the venue only held 230 people standing, so it was small. There was live music 7 nights a week, so it was bands from all over the world coming in every single night and just playing this small club. So just to see the reality of that…of seeing bands loading in and loading out, their setlists, the reality of a band on the road playing small clubs.”

After a little while being behind the scenes, Montbleau eventually gained the courage to step in front of an audience, bringing his signature sound and passion for live music along with him. This is when his music career really began to take off.

“Eventually I got the guts to go up to this guy, Tayo who did the booking and give him my demo tape, which was a tape at the time. I started getting these Saturday matinee gigs, and then once in a while, I would get a night towards the end. I basically just played any gig I could possibly get for a few years. I just wanted to get out there and play.”

Watch his full band perform at the House of Blues in Boston on 12/5/14 below:

From there, Montbleau entered into a relentless touring schedule, one that he still keeps up to this day. Eventually, he had made enough money to quit his job at the House of Blues, and make music his full-time career, one which has evolved significantly over the years. With thousands of tours under his belt, his career has been as much about growth, as it has been about his love for crafting music, much of which feels like a real conversation with the man behind the music.

When it comes to Montbleau’s personal sound, there is no better display of his craft than on his records, many of which are stripped-down, raw and emotionally-driven. One of the most impressive was his last album, Woodstock Sessions. The album was performed and recorded in front of an audience, giving it a special kind of love and energy that is hard to find anywhere else. Though Montbleau does perform the album with Boston natives Tall Heights, it really feels like a musician baring his soul with just a guitar, some friends and a whole lot to say.

Here is “All or Nothing” (featuring Tall Trees) off the ‘Woodstock Sessions’ album:

“Each record is so different. I’ve spent my 10,000 hours just touring, building and creating this career around playing live shows forever now. The amount of time I’ve actually spent making records – since a lot of those are live records – but the amount of time I spend doing that compared to the amount of time I spend performing is really small essentially, so now I really want to get better at making records. My last couple of records were very raw and stripped down and kind of sad, but I stand by it. My heart is on there.”

Montbleau is currently back home in Vermont writing and recording what will become his lucky 13th full release. He expects the album to be much more upbeat and happy, just in time for the long winter.

“This one is getting a little more fleshed out, there’s a lot more of full band kind of stuff and we’re building these tracks and really getting in there…I’m pretty proud of it so far, it’s forcing me to really get my hands dirty with the recording progress.

Some of the songs are really well done, I think they’re some of the best songs I’ve ever written. Then others I’m kind of building as I go…. This one has a little more hope, more fun, I just felt the need for things to flesh out.

“For me, exploring how to make tracks sound and feel good, how to be viscerally moved by music… I haven’t explored that as much as baring my feelings into a raw songs, raw words, so the goal for me is to do both.”

In addition to Montbleu’s full band set on Saturday on the Meadow Stage, he will also perform with Hayley Jane as one half of the beloved duo, Yes Darling. The duo create songs about the massive ups and downs of being in a relationship in a (nearly?) satirical way. The songs are entertaining, and often way too relatable.

“It sort of very quickly had this thing, we just quickly figured out. We became this duo, these quintessential male-female archetype kinda characters and then we wrote off of that, and we were able to draw from real experiences and make stuff up. I don’t know why, but we have the chemistry to do that. We sort of blur the lines between reality and fantasy, there’s something special about that.”

The duo’s Shakori Hills performance, taking place Sunday, October 6 at 5:00 p.m. on the Meadow Stage, will be one of their only performances for the rest of the year. They are currently in the middle of writing songs, producing videos, and most importantly, putting together a stage production of their act. Though the full stage production will not be put on at Shakori, much of the humor and performance of the production will be on full display on Sunday night of the festival.

“It’s gonna be very stripped down, we’re trying to turn the whole thing into a play. We have people building sets, we have light designers, we’re trying to flesh it out into this big thing. But we can also do it just totally stripped down, just the two of us. So that’s what we’re doing on tour.”

As for the full band set, Ryan and his band are hoping to bring a good time and good energy to the festival.

“This time we’re coming back with the whole band thing and coming in hot. So what I’m going for is trying to move your body viscerally with the music and the band, but also tug at your heartstrings and your mind. I just want to rope you in with the lyrics and kind of get us feeling like we’re all together and not alone.”

You can find all of Ryan Montbleau’s music on all major streaming services. Also make sure to be on the lookout for his new album this winter. More information can be found on his website www.ryanmontbleau.com.

Ryan Montbleau Band, Meadow Stage, Saturday, Oct. 5, 8:00 p.m.

Yes, Darling, Meadow Stage, Sunday, Oct. 6, 5:00 p.m.

Sierra Ferrell: The Songstress of the South

August 29, 2019 by David Dean 1 Comment

With a voice as haunting as the wind through the trees, Sierra Ferrell brings an unexpected power and prowess with every word that she lovingly crafts. Though often identified as a country artist, Ferrell brings in influences from a variety of genres, to create the kind of music that feels as wild and free as the woman who wrote them. Like many artists, the sound that she creates is drawn from the experiences and people who have helped shape her into who she is today.

“I draw inspiration from my friends. I’ve met lots of different musicians, and lots of different people who play all different sorts of styles, and I pick and choose a little bit from each of them to create my own.”

As far as her lyrics go, Sierra Ferrell is also a master at invoking a kind of familiar feeling. The words are easy to identify with for anyone who’s loved, lost, or anything in between. She crafts playful and heartbreaking characters who speak to all of the different experiences that make up a life. She is a master of worldbuilding, filling her universe with life by using a quick strum of the guitar, a longing flick of a fiddle’s bow, and words that cut to the core.

“[The inspiration for my lyrics comes] From not just my life, but other people’s life experiences. Sometimes when I write a song, it might not be 100% about my experience, but it might be about someone that I met that day or someone I’ve known for a long time, and I’ve watched them go through their experiences and emotions.”

Though Ferrell had long been a staple in the Nashville music scene for her hauntingly beautiful melodies, she reached a high level of viral popularity with her performances on the Youtube channel, Gems on VHS. This channel creates a platform for unplugged, acoustic performances by musicians from a variety of genres. The account was recently featured in Rolling Stone, with Sierra getting a large feature in the article.

“Working with Gems on VHS has just been phenomenal. And I love Anthony, he’s such a lighthearted, sweet man. I think he’s definitely helped me progress on my career more than anyone, really.”

Ferrell recently released a video for her ballad ‘Why’d Ya Do It’, a tango that dances through the register of both her guitar and her voice. It was was filmed at Carter Vintage Guitars, the landmark Nashville guitar store which holds everything from the first electric guitar to the Strat which lovingly helped to write ‘Sweet Home Alabama.’

As for the experience of recording the video, it was all about the community around it.

“It was great! I got to go in, then they gave me a guitar, They let me pick out whatever guitar I wanted to play, and of course I picked that one. It was a lot of fun! I’ve actually had Thanksgiving dinner with the owners once. We went and had Thanksgiving dinner with them last year, and it was a lot of fun. They’re very good people, and I got to meet their kids, and it was a lot of fun.”

In 2020, Sierra will be releasing her latest album, the first of which she will be debuting under her new label, Rounder Records. Rounder produces records for artists such as Steve Martin, Alison Krauss, Robert Plant, Bèla Fleck, and so many more. The album will have a lot of those hauntingly beautiful lyrics, and a lot of well-placed twang.

“There’s going to be a lot more country taste on it I feel like. I’ve been listening to a lot of country tunes, and it’s gonna be a lot of different harmonies, there’s also gonna be a mix of other things, because “Why’d You Do It” isn’t recorded anywhere else. There’s also a couple of other songs that are not in the charts of country, but it’s gonna actually skate down country at times. I can hide in the music a little bit.”

Before her big album release next year, Farrell is gearing up for an Australian tour shortly following her Shakori Hills performance in October. She will be opening for Pokey LaFarge as they make their way through Adelaide, Melbourne, Newcastle, Sydney and Brisbane. The two are planning to put on one hell of a show, something they’ve actually done before.

“We’ve played one gig before in Nashville at Franklin’s, and we had a good time. I thought it was a blast, then all of a sudden I didn’t even know, someone was like ‘Oh, do you want to go on tour in Australia with Pokey LaFarge’ and I said absolutely, that sounds like a blast… I’m going to get some vinyls made before I go over there. It’s probably going to be something unique for the tour, because I’ve already been over there once with my other two albums.”

Sierra Ferrell will be making her return to Shakori Hills this fall with a whole new setlist, and an incredible show that will tap into your emotions, and make you want to get up and dance.

“I’ll probably have different bandmates in the band, I’m gonna have a lot more new songs. I’m gonna be singing my butt off, and I also will have some good merch with me. I’ll have T-shirts, hats, buttons, I even have a shirt with my face on it which is weird for me, but my manager insisted having a shirt with my face on it, so voila!”

While you wait for her album in 2020 you can stream several of her albums on bandcamp.

Sierra Ferrell will be at Shakori Hills GrassRoots Festival Friday, October 4 at 6:30 PM on the Meadow Stage. Single Day Passes are on sale now.

Talking Moxy Rock with Maddy Walsh and the Blind Spots

August 22, 2019 by David Dean Leave a Comment

When it comes to rock music, there is always space for more female-fronted bands to break through the glitz, glam, and steel-string madness that comes with show business. This is especially true when the lead-singer is a powerhouse like Maddy Walsh and her band creates a sound that bridges the rock legends of our past with the sweet harmonies of today, like the Blind Spots do with every performance.

Hailing from Ithaca, New York, Maddy Walsh and the Blind Spots are a five-piece force to be reckoned with and should not be overlooked on this fall’s schedule. They are pioneers of “Moxy Rock,” a self-identified term that they define as being “female-fronted indie pop rock with a punch.” Now entering their tenth year of performing, creating and inspiring, Maddy Walsh and the Blind Spots have become a festival staple here on the East Coast. However, their beginnings were a bit more humble, with a slightly unconventional path to a music career.

“I moved back to New York after I finished grad school in California with the intention of pursuing music full-time. College was a very elaborate back-up plan for music, and I was headed down a PhD track when I had a freak-out: time was slipping by and I hadn’t tried to do the thing I knew I was meant to do, so I finished my MA and moved to Ithaca, NY and started the band right away.”

Though Walsh studied English in college with a concentration in creative writing, music was a tie to her roots through all of the classes and deadlines. It became a connection with her family, and a much-needed departure from the daily grind.

“Until that point I always sang, but never professionally. My dad and I had (still have, technically) an acoustic duet together called Madd Daddy – we would play three shows a week when I was home from college on summer breaks, and he’d let me keep all the money. (It wasn’t much!) That was how a got my stage legs, and then I met my now-husband, co-writer, and guitar player when I moved back to NY in 2008.”

Since 2008, Maddy Walsh and the Blind Spots have been putting out earth-shaking ballads, beautiful harmonies, and the kind of music that you crank up on the radio as you’re taking a long drive on a beautiful day.

Recently, Maddy Walsh & the Blind Spots have released their third studio album, ‘Talk’. The album knows how to pack that classic pop-punch sound into every lyric, while still feeling like something fresh and new. Each song will carry listeners along to a new adventure, propelled by Walsh’s voice which is as powerful and refreshing as a rolling river. As for what inspired this latest installment in the rocking saga of the Blind Spots;

“Oh, life. Songwriters write songs, and then we record them. The album features five songs that were written on the floor of an AirBnB condo in Bermuda Dunes, just outside Coachella, where the band van broke down for sixteen days. The song “Where are the Monsters?” was actually written about being stranded in the desert. The title track, “Talk,” was written on our second-to-last night of recording in Nashville, and it’s a sort of plea for people on opposite sides of this current cavernous political divide to listen to each other. The catastrophe that is our nation’s current administration pops up in what I’ve been writing, but never overtly.”

The group has also recently celebrated their 10-year “Bandiversary.” The event was a celebration of how far the band has come, and all of the places they still want to go. It was a way to commemorate all of the memories they’ve made, and all of the love that has grown and flourished because of a little band from Ithaca, New York.

“We booked the Hangar Theatre in Ithaca (our hometown), sold out the room, invited all of our former band members to play some songs, had a giant cake, and debuted a documentary short about our time in this band. We also released our new album that night. There was a lot of happy crying and hugging.”

Maddy Walsh and the Blind Spots have become something of a festival favorite here at Shakori Hills GrassRoots over the past few years. This will be the band’s fifth performance at Shakori, and they performed their ninth show at our sister-festival, the annual Finger Lakes Festival in Trumansburg, New York, in July.

Maddy says what keeps them coming back is being, “away from the stresses of home life for a few days and showing up for the sake of joy and togetherness and to appreciate art. It’s beautiful.”

“Reuniting with our musician friends and the GrassRoots crew and staff is a highlight. We get to have different friends sit in on our sets and perform with us. The musical community just continues to expand. Shakori specifically is such a great setting, tucked in the woods. I love the family-style meals for performers, the gardens, the pedal operated hand washing stations… So much love has gone into making this festival what it is, and we’re so happy to be returning.”

Make sure to check out Maddy Walsh and the Blind Spots online and on social media and you can stream their latest album, ‘Talk’ on all major streaming services.

You can catch them at the Meadow Stage on Thursday, October 3 at 7:45 p.m., or in Carson’s Grove on Friday, October 4 at 10:00 p.m.

SunQueen Kelcey and the Soular Flares: Bringing the Light to Shakori Hills

August 14, 2019 by David Dean Leave a Comment

Of all the voices to fill the hills of Shakori this fall, there is one that will shine as bright as the sun: SunQueen Kelcey and the Soular Flares.

SunQueen Kelcey has been gifted with a sensual voice that is drenched with vintage soul. Her phrasing dances on top of the Soular Flares’ jazz rhythms and the result makes you want to dance, just as much as it makes you want to hold onto someone that you love.

A staple of the Greensboro music scene, she won a 2017 Bloc Award as the Best R&B Artist of the Year. She explores issues of self love, social justice, and sexual freedom in her music that at once, will make you laugh, blush, and shake your head in affirmation.

We sat down and talked for a bit about her music, her life, and what we can expect from the band’s Shakori Hills debut. With new music in the works, SunQueen Kelcey is the kind of light that we need right now.

Get a taste of her soul with this 2019 submission to the NPR Tiny Desk Contest, or check out her website, and read below for some highlights from our conversation.

Krysten Heberly: How long have you been playing and creating music and what drew you to it?

SunQueen Kelcey: I’ve been playing guitar for maybe eight years now. I’ve been creating my own music for 8 years too. What drew me to it was my personal experiences. I’ve always loved music, I think music is the connection to everyone that we have.

Ever since I was young, it started off as me shouting, thinking that it sounded good when I was a little girl, but when I turned ten, it actually started to sound good. I started writing poems, and I was doing poetry, I wasn’t really performing or anything but I had journals full of it. Then I joined the choirs when I joined middle school and high school, and I fell in love with choral ensemble and just creating music on my own.

KH: Did you go to college, or did you start pursuing music after that?

SQK: Oh good question! So I went to college for 3 years, I was pursuing something so unrelated to music. I was majoring in BIology, I was on a track to do pre-med, and I started flunking out. I just couldn’t concentrate, I was going through a lot of things, I was in a very terrible relationship, and I was just not focused. Plus I think I was just in the wrong lane. So I went for three years, I got kicked out for six months, and then they told me I could come back and I was like nah, fuck it. I have been thrown into the real world and I’d just like to start working and doing music.

KH: It sounds like you’re in a lot better place because of it.

SQK: I am! Y’know, I struggled a lot, but I know that it was all for a great reason, because I never would have imagined that I would be right here. I’ve always loved and wanted to perform music, but I didn’t think it was possible until I started doing it. It’s been a long time coming and I have a ways to go, but shit I am loving it, and you are right.

KH: It’s inspiring, honestly.

SQK: Thank you! I think everyone has their stories about it too. Mine is a little tricky, but y’know.

KH: Where did you come up with the name SunQueen Kelcey and the Soular Flares?

SQK: So I wrote this song called Queen of the Sun which is on my first album. It talks about the power and the impact that Black women have on humanity. When I started to perform it, it was just me and my guitar, and it was a very intimate setting everywhere I would go. Then one time I performed it in front of this open mic, and one of my friends, he called me SunQueen after that. And when he started calling me SunQueen, everyone started calling me SunQueen. And I had been looking for a stage name for a long time. It just fit ya’know? When people caught on like that, I thought ‘maybe it should just be like that.’ I’m the epitome of that song, I am a Black woman, I do have an impact on some of the people in my life, and I know the struggle of being Black and being in the world today. So why not keep that name. The Soular Flares came from me just being so interested in how the sun works. The solar flare is like an eruption of energy, just a burst of energy. I think of it as the sun’s mood swing and the way that the sun expresses itself. When I formed the band for my music, I said ‘everyone has their own personality, we’re all full of fire, we’re all full of a dynamic energy that we bring to the stage.’ SunQueen and the Soular Flares seemed to fit so well.

KH: Who are the Soular Flares?

SQK: I have my homegirl Tai, she is the keyboardist, my friend Malcolm who is one of the guitarists, Darrien who is one of the bassists, Colin, he’s been with me since I started performing in Greensboro and we’ve known each other for about eight years. He’s one of the guitarists as well.

KH: Have you been performing with everyone for a couple of years now?

SQK: Yeah, collectively I think I’ve been performing with everyone for two years now. Other people I’ve known, we’ve done other bands together and performed in other shows, but yeah collectively as the Soular Flares, it’s been about two years.

KH: It sounds like you’ve become kind of a little family.
SQK: Yes! They are my brothers and my sister, and we definitely look out for each other. Like I said, it’s so many different personalities in this band, but when we’re together for shows and for practice, we’re inseparable. I definitely feed off of their energy and vice versa, and we just have fun together.

KH: That’s really what it’s all about. So you talk a lot about social justice being a big part of your music. Why is that?

SQK: I really like to write about my experience, the way I walk through life. When I was growing up, I would hear stories that my mom would tell about living in some of the very rural parts of NC like Candor, Bisko, those parts of Montgomery County. And her being a Black woman from a Black family, she used to experience a lot of racism out there. Even today, being Black in this world, we experience a lot of racism. And I just love to talk about it, and to give those voices of the people who have been highly marginalized out here. Just the chance to say what they want to say. Whether it’s my experience or someone else’s experience, I just want to make sure I give a voice to that. So that’s part of the whole social justice thing.

KH: You also talk a lot about body positivity. Why is that important to you?

SQK: The self love that comes from me…I think I’m talking about self love coming more from my experience of body positivity, and just learning to accept my body, learning to accept other bodies, and making this idea of body neutrality. I think that everyone deserves to feel comfortable in their own skin and to be comfortable in who they are. I think weight is one of those stigmas that we struggle with. People are afraid to eat, people are afraid to wear certain things. People are afraid to even walk into a place because they think they are unworthy of taking up space. So I’ve tried to incorporate the self- love into every show that I do, and with everyone that I meet.

I want people to understand that they deserve and are worthy of love. You should be able to take care of yourself for free. We all need that equity, that equality. We should be able to wake up every day and have everything that we need to be successful and to live a happy and healthy life.

So that’s where the self-love comes from. I’ve struggled with my weight for most of my life, I’ve always been a thick girl, and y’know, when I was at my smallest, those would be the times when I was the most unhappy, the most depressed. Now I’m at one of my heavier weights, and I feel fucking great! I feel amazing, and i have this glow about me that people notice, and that really speaks a lot to how my journey was. It was rough, it took a lot out of me, but through the years when I just learned to accept the way things were and to just work on my mental health first, that’s when I really started to shine.

KH: Acceptance is such a thing to build towards.

SQK: It is. And I think that people get the whole body positivity thing mixed up with people just loving every bit about their body, and just being happy all the time, but it’s not like that. It’s about respect, and learning to be grateful for your body and to take care of your body. You can be a thick girl and work out, eat your greens, eat your vegetables, drink water, you can do all of that and still be thick, but everyone’s body is different. We all store and use nutrients differently. So we’re all gonna look different, and I think that the media pushes us to want to look like something that we just can’t look like without restriction and self-hate. I try to make sure that people understand that those things aren’t realistic…

KH: You mentioned body neutrality, what does that mean to you?

SQK: That means to accept the way that the body is, and that you should accept the way that other bodies look too, especially when you know what your body can do and what it’s capable of. We wake up every day, our heart never stops beating, we make it through the hardest parts of our life, and there is no point in judging someone for the way that they look. So body neutrality is more like accept and normalize that people’s bodies look different. There are fat people, there are tall people, there are small people, everyone looks different. There are skinny people, there are people with disabilities, and people with different skin tones and things that they may not love about themselves.

KH: So why is your music important to you?

SQK: It’s important to me because it’s the way that I connect to everyone around me. I feel like you could make a connection without music, but there’s just something about it that is like a metaphysical connection that you could have with somebody.

Music just has this kind of energy about it. It creates these kinds of bonds that when you see somebody in a bar and y’all start singing, you know all the words, you’re just like ‘Oh this is my soul sister, soul brother.’ Music just does that for people. You could be complete strangers, and because you know the same song you can relate to it, you can cry to it, it just brings people together. I think that I can make an even stronger connection when I perform. I think that’s why it’s important. I love making people feel good, I love seeing people enjoy themselves. You’re not harming anybody, so let’s make magic!

KH: As far as Shakori Hills, what can fans expect from you there?

SQK: They can expect a little bit of twerking, they can expect me to teach them some mantras about self love, and they can expect some new music, because we have some time to get that setlist tight and ready before we come out. I just can’t wait! God, I’m so excited!

Spring 2020 Festival Cancellation Announcement

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2020 Shakori Hills GrassRoots Festival Dates

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Roosevelt Collier: Good Times with Some Swampy Grime

Ryan Montbleau: Bringing the Heart from Woodstock to Shakori Hills

“[Music] was totally a passion… I couldn’t put that genie back in the bottle.”

“For me, exploring how to make tracks sound and feel good, how to be viscerally moved by music… I haven’t explored that as much as baring my feelings into a raw songs, raw words, so the goal for me is to do both.”

Ryan Montbleau Band, Meadow Stage, Saturday, Oct. 5, 8:00 p.m.

Yes, Darling, Meadow Stage, Sunday, Oct. 6, 5:00 p.m.

Sierra Ferrell: The Songstress of the South

Talking Moxy Rock with Maddy Walsh and the Blind Spots

SunQueen Kelcey and the Soular Flares: Bringing the Light to Shakori Hills

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“[Music] was totally a passion… I couldn’t put that genie back in the bottle.”

“For me, exploring how to make tracks sound and feel good, how to be viscerally moved by music… I haven’t explored that as much as baring my feelings into a raw songs, raw words, so the goal for me is to do both.”

Ryan Montbleau Band, Meadow Stage, Saturday, Oct. 5, 8:00 p.m.

Yes, Darling, Meadow Stage, Sunday, Oct. 6, 5:00 p.m.

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