GrassRoots Archives - Shakori Hills GrassRoots Festival of Music & Dance

2020 Shakori Hills GrassRoots Festival Dates

October 30, 2019 by David Dean 6 Comments

Shakori Hills banner in the Outpost — photo by Elizabeth Larson

The biannual Shakori Hills GrassRoots Festival of Music & Dance will be held Thursday, May 7 through Sunday, May 10 and Thursday, October 8 through Sunday, October 11, 2020. These dates will be the 18th annual spring festival and 17th iteration of the fall festival.

Tickets for Spring Shakori Hills GrassRoots will be available at the Holiday Rate starting Weds., Nov. 13 at 10:00 a.m. through midnight Tues., Dec. 31, 2019. The Holiday Rate is the lowest ticket rate offered for the spring festival.

Early Bird tickets will be available starting Weds., January 1, 2020 through Friday, Feb. 28, 2020 and at that time tickets will increase to Advance Rates. Tickets will be available at the gate starting Monday, May 4, 2020.

Ticket details for the fall festival will be announced at a later date.

Typically, the festival starts the first Thursday in May and October. It just so happens the first Thursday in May, 2020 falls on Mother’s Day weekend.

Therefore, we are going to celebrate moms at the spring festival! There will be a champagne toast on Mother’s Day and we are working on several other programs to say, “thanks, Mom!” More details will be announced as we get closer to the spring festival.

The fall festival in October has been moved back one weekend and will start the second Thursday of the month. This change is due to the way 2020 falls on the calendar.

Shakori Hills GrassRoots Festival of Music & Dance is a non-profit event that benefits the Shakori Hills Community Arts Center, itself a non-profit. The Shakori Hills Arts Center provides free or greatly reduced music and arts programs to rural communities in Chatham, Orange, and Durham counties.

The festival takes place on 72 acres outside of Pittsboro that have been described as a, “music lovers’ paradise.” The site accommodates four stages and an average of 50 acts per festival. Recent headlining acts include Lukas Nelson and Promise of the Real, Galactic, and Steve Earle.

More information can be found online at www.shakorihillsgrassroots.org and by searching for the #ShakoriHills hashtag on social media.

Roosevelt Collier: Good Times with Some Swampy Grime

September 11, 2019 by David Dean Leave a Comment

Over the years, Shakori Hills GrassRoots Festival has presented many headliners who have brought the thunder, along with a never-ending supply of good times. Yet, never before has Shakori Hills GrassRoots brought a headliner who knew how to bring the party quite like Roosevelt Collier.

Roosevelt has become known as “The Dr.” and an artist at large who brings the sweet sounds of funk with him wherever he goes. His music warrants its own genre of “dirty funk swampy grime,” which is guaranteed to be the cure for whatever ails you.

You can come and groove with Roosevelt Friday, October 4 at 8:30 p.m. on the Meadow Stage. In the meantime, make sure to listen to his album Exit 16, which is available on all major streaming sites.

I chatted with Roosevelt for a couple of minutes on his drive through Florida to his next music destination about his beginnings, his records, and what he is bringing this year to Shakori Hills GrassRoots Festival. What followed was a delightful conversation with a genuinely warm and bright individual.

How did you get started playing music?

I guess I was born with it. I was born into a family of music, y’know? Like everybody in my family played music, or went to see shows. I was born into the sound of music. I started playing through family and church.

Were you in the church choir or church band?

Yeah, all of that. Anything that dealt with church was me and my family. I was born and raised out of the church, so y’know all of my family played gospel music and sang in the choir and did all of that good stuff.

From there you also played with the Lee Boys for a while. What was that like?

That’s my family, y’know. That’s what I’m saying, we took what we were doing in church, and just moved it to the music scene. That was fun, it wasn’t nothing different except for us playing at the clubs and the festivals and the arts centers and all of that stuff. Man, that was a good time in my life just playing with my family.

I can’t even imagine how exciting it must’ve been to have that experience with the people you love.

It’s definitely like no other, y’know? You can’t find that bond nowhere else, just because it’s family.

Do you ever play together now?

Very rarely, they are busy and I’m busy so our timing is just not coming together right now.

So last year you came out with Exit 16, what was it like to record and produce that album?

Exit 16 came out under the great label, the GroundUP Label, which is spearheaded by Michael League from Snarky Puppy. Michael also helped to produce and write some of the tunes off of the record. And that was my first solo record, and the process was fully about learning how to make a record, and making some music.

I really want to thank that label and Michael League for just giving me a pair of wings, and just letting me explore my full potential as an artist, y’know? And that record did good! It was my first record and everybody loved it, and I’m so thankful and joyful.

It was a great task, and we all just went in and turned it out. I actually slept in the studio, I was knee deep in the process. We cut that record in about three days, going at about three tracks a day. We were in it. Bobby Sparks on the organ, JT Thomas on the drums, Michael League on bass, and me. And that’s it, man, that’s a wrap.

That sounds exhilarating to spend time in the studio and really turn this album out.

It was so fun! And I mean I guess, for me, I just wanted to be there. I didn’t want to get off track, so I stayed there late at night, woke up in the morning and got right back to it. It was a lot of fun, of course it’s tiresome too, there’s a lot going on with it, but the overall process is amazing and fun.

After finishing the album, you also went on tour with Michael League and the rest of Snarky Puppy. What was that like?

Oh, man! So I’m thankful for that. Michael League is huge on artists, he cares about artists more than anything in the world, which is very rare with a label, y’know? So they have this platform that allowed their artists to come in and open up for him and be a part of the tour.

Snarky Puppy, they are actually still on tour now, and all of the artists on the label, they give them face on the tour. They give us about 6-8 dates, and it was totally amazing. Every night big shows, big crowds, going on tour on a bus, and to be a part of that whole experience was amazing.

How did touring with Snarky Puppy compare to the Free Energy tour?

Those are two different tours. Me playing with Snarky was a great opportunity for me as their artist on the label to get exposure and just giving us a platform of letting our music be heard.

The Free Energy Tour, it’s a big co-billed tour. I went with another Florida band called the Heavy Pets, we’re friends. And we always talked about doing a tour together, so we decided ‘Let’s just do a co-billed tour together, and let’s name it this, and look to really go out and spread love.’ That’s why you have the Free Energy Tour. That tour there is a great thing, and those guys are a great Florida-based band, the Heavy Pets. We just gotta make sure there’s good music from the great state of Florida.

So you describe your music as ‘dirty funk swampy grime’, how would you describe that?

Y’know my music has been labeled just about everything. And I’m from the south, I’m from Florida, we are from the swamp. We get down and dirty. It’s more like my roots mixed with a lot of southern rock and blues and funk. So to an extent, you’ve got a swampy, dirty blues comin’ to you.

Your music has also been nominated for a couple of honors, starting with you being featured as an artist at this year’s WOMEX (The World Music Expo) in Finland.

Yes! I’m honored to be able to play WOMEX in October, y’know that’s a very big showcase, that’s one of the world’s biggest showcases. So I’m thankful and glad for that, and I mean I wasn’t expecting it at all, but this opportunity came so I’ve gotta take it, y’know? I am definitely ready for it.

You also were nominated by the 2019 UK Jazz FM Award for Blues Artist of the Year, what was that like?

Man, that was a pretty wild experience too. Just to be nominated for it is great, I wasn’t expecting it at all, not at all. And that helped me out a little bit there too, so man I’m forever thankful for London.

So going forward, what can we expect from your future music?

We are definitely working on another album, that’s definitely in the mix, and we’re gonna look for the next year to tour real heavy.

I’m already up in the studio working on it, it’s almost halfway done now. This one is definitely different. Where Exit 16 was the story of my life, [it] told the story of who I am, where I’m from, and where I’m going. So this record is gonna be one chapter of my life, which is more of the bluesy swampy stuff. Just because I’m a part of so many genres.

So, at Shakori Hills this year, what can fans expect from you?

Alright, Shakori Hills listen. Y’all better come ready to get down. They know that Rosie don’t play no radio baby. It is going down as soon as we hit the stage, so please come expecting to dance and party.

Sierra Ferrell: The Songstress of the South

August 29, 2019 by David Dean 1 Comment

With a voice as haunting as the wind through the trees, Sierra Ferrell brings an unexpected power and prowess with every word that she lovingly crafts. Though often identified as a country artist, Ferrell brings in influences from a variety of genres, to create the kind of music that feels as wild and free as the woman who wrote them. Like many artists, the sound that she creates is drawn from the experiences and people who have helped shape her into who she is today.

“I draw inspiration from my friends. I’ve met lots of different musicians, and lots of different people who play all different sorts of styles, and I pick and choose a little bit from each of them to create my own.”

As far as her lyrics go, Sierra Ferrell is also a master at invoking a kind of familiar feeling. The words are easy to identify with for anyone who’s loved, lost, or anything in between. She crafts playful and heartbreaking characters who speak to all of the different experiences that make up a life. She is a master of worldbuilding, filling her universe with life by using a quick strum of the guitar, a longing flick of a fiddle’s bow, and words that cut to the core.

“[The inspiration for my lyrics comes] From not just my life, but other people’s life experiences. Sometimes when I write a song, it might not be 100% about my experience, but it might be about someone that I met that day or someone I’ve known for a long time, and I’ve watched them go through their experiences and emotions.”

Though Ferrell had long been a staple in the Nashville music scene for her hauntingly beautiful melodies, she reached a high level of viral popularity with her performances on the Youtube channel, Gems on VHS. This channel creates a platform for unplugged, acoustic performances by musicians from a variety of genres. The account was recently featured in Rolling Stone, with Sierra getting a large feature in the article.

“Working with Gems on VHS has just been phenomenal. And I love Anthony, he’s such a lighthearted, sweet man. I think he’s definitely helped me progress on my career more than anyone, really.”

Ferrell recently released a video for her ballad ‘Why’d Ya Do It’, a tango that dances through the register of both her guitar and her voice. It was was filmed at Carter Vintage Guitars, the landmark Nashville guitar store which holds everything from the first electric guitar to the Strat which lovingly helped to write ‘Sweet Home Alabama.’

As for the experience of recording the video, it was all about the community around it.

“It was great! I got to go in, then they gave me a guitar, They let me pick out whatever guitar I wanted to play, and of course I picked that one. It was a lot of fun! I’ve actually had Thanksgiving dinner with the owners once. We went and had Thanksgiving dinner with them last year, and it was a lot of fun. They’re very good people, and I got to meet their kids, and it was a lot of fun.”

In 2020, Sierra will be releasing her latest album, the first of which she will be debuting under her new label, Rounder Records. Rounder produces records for artists such as Steve Martin, Alison Krauss, Robert Plant, Bèla Fleck, and so many more. The album will have a lot of those hauntingly beautiful lyrics, and a lot of well-placed twang.

“There’s going to be a lot more country taste on it I feel like. I’ve been listening to a lot of country tunes, and it’s gonna be a lot of different harmonies, there’s also gonna be a mix of other things, because “Why’d You Do It” isn’t recorded anywhere else. There’s also a couple of other songs that are not in the charts of country, but it’s gonna actually skate down country at times. I can hide in the music a little bit.”

Before her big album release next year, Farrell is gearing up for an Australian tour shortly following her Shakori Hills performance in October. She will be opening for Pokey LaFarge as they make their way through Adelaide, Melbourne, Newcastle, Sydney and Brisbane. The two are planning to put on one hell of a show, something they’ve actually done before.

“We’ve played one gig before in Nashville at Franklin’s, and we had a good time. I thought it was a blast, then all of a sudden I didn’t even know, someone was like ‘Oh, do you want to go on tour in Australia with Pokey LaFarge’ and I said absolutely, that sounds like a blast… I’m going to get some vinyls made before I go over there. It’s probably going to be something unique for the tour, because I’ve already been over there once with my other two albums.”

Sierra Ferrell will be making her return to Shakori Hills this fall with a whole new setlist, and an incredible show that will tap into your emotions, and make you want to get up and dance.

“I’ll probably have different bandmates in the band, I’m gonna have a lot more new songs. I’m gonna be singing my butt off, and I also will have some good merch with me. I’ll have T-shirts, hats, buttons, I even have a shirt with my face on it which is weird for me, but my manager insisted having a shirt with my face on it, so voila!”

While you wait for her album in 2020 you can stream several of her albums on bandcamp.

Sierra Ferrell will be at Shakori Hills GrassRoots Festival Friday, October 4 at 6:30 PM on the Meadow Stage. Single Day Passes are on sale now.

Talking Moxy Rock with Maddy Walsh and the Blind Spots

August 22, 2019 by David Dean Leave a Comment

When it comes to rock music, there is always space for more female-fronted bands to break through the glitz, glam, and steel-string madness that comes with show business. This is especially true when the lead-singer is a powerhouse like Maddy Walsh and her band creates a sound that bridges the rock legends of our past with the sweet harmonies of today, like the Blind Spots do with every performance.

Hailing from Ithaca, New York, Maddy Walsh and the Blind Spots are a five-piece force to be reckoned with and should not be overlooked on this fall’s schedule. They are pioneers of “Moxy Rock,” a self-identified term that they define as being “female-fronted indie pop rock with a punch.” Now entering their tenth year of performing, creating and inspiring, Maddy Walsh and the Blind Spots have become a festival staple here on the East Coast. However, their beginnings were a bit more humble, with a slightly unconventional path to a music career.

“I moved back to New York after I finished grad school in California with the intention of pursuing music full-time. College was a very elaborate back-up plan for music, and I was headed down a PhD track when I had a freak-out: time was slipping by and I hadn’t tried to do the thing I knew I was meant to do, so I finished my MA and moved to Ithaca, NY and started the band right away.”

Though Walsh studied English in college with a concentration in creative writing, music was a tie to her roots through all of the classes and deadlines. It became a connection with her family, and a much-needed departure from the daily grind.

“Until that point I always sang, but never professionally. My dad and I had (still have, technically) an acoustic duet together called Madd Daddy – we would play three shows a week when I was home from college on summer breaks, and he’d let me keep all the money. (It wasn’t much!) That was how a got my stage legs, and then I met my now-husband, co-writer, and guitar player when I moved back to NY in 2008.”

Since 2008, Maddy Walsh and the Blind Spots have been putting out earth-shaking ballads, beautiful harmonies, and the kind of music that you crank up on the radio as you’re taking a long drive on a beautiful day.

Recently, Maddy Walsh & the Blind Spots have released their third studio album, ‘Talk’. The album knows how to pack that classic pop-punch sound into every lyric, while still feeling like something fresh and new. Each song will carry listeners along to a new adventure, propelled by Walsh’s voice which is as powerful and refreshing as a rolling river. As for what inspired this latest installment in the rocking saga of the Blind Spots;

“Oh, life. Songwriters write songs, and then we record them. The album features five songs that were written on the floor of an AirBnB condo in Bermuda Dunes, just outside Coachella, where the band van broke down for sixteen days. The song “Where are the Monsters?” was actually written about being stranded in the desert. The title track, “Talk,” was written on our second-to-last night of recording in Nashville, and it’s a sort of plea for people on opposite sides of this current cavernous political divide to listen to each other. The catastrophe that is our nation’s current administration pops up in what I’ve been writing, but never overtly.”

The group has also recently celebrated their 10-year “Bandiversary.” The event was a celebration of how far the band has come, and all of the places they still want to go. It was a way to commemorate all of the memories they’ve made, and all of the love that has grown and flourished because of a little band from Ithaca, New York.

“We booked the Hangar Theatre in Ithaca (our hometown), sold out the room, invited all of our former band members to play some songs, had a giant cake, and debuted a documentary short about our time in this band. We also released our new album that night. There was a lot of happy crying and hugging.”

Maddy Walsh and the Blind Spots have become something of a festival favorite here at Shakori Hills GrassRoots over the past few years. This will be the band’s fifth performance at Shakori, and they performed their ninth show at our sister-festival, the annual Finger Lakes Festival in Trumansburg, New York, in July.

Maddy says what keeps them coming back is being, “away from the stresses of home life for a few days and showing up for the sake of joy and togetherness and to appreciate art. It’s beautiful.”

“Reuniting with our musician friends and the GrassRoots crew and staff is a highlight. We get to have different friends sit in on our sets and perform with us. The musical community just continues to expand. Shakori specifically is such a great setting, tucked in the woods. I love the family-style meals for performers, the gardens, the pedal operated hand washing stations… So much love has gone into making this festival what it is, and we’re so happy to be returning.”

Make sure to check out Maddy Walsh and the Blind Spots online and on social media and you can stream their latest album, ‘Talk’ on all major streaming services.

You can catch them at the Meadow Stage on Thursday, October 3 at 7:45 p.m., or in Carson’s Grove on Friday, October 4 at 10:00 p.m.

MK Rodenbough: Songwriting From the Heart

August 8, 2019 by David Dean Leave a Comment

When it comes to singer-songwriter acts at Shakori Hills, one act not to miss will be MK Rodenbough, a recent graduate from UNC Chapel Hill. Rodenbough is a self-described Americana artist, who passionately tells her story through the strumming of a six-string, and a voice that feels completely honest, in a way that cuts to the soul.

Listening to MK Rodenbough’ soft, yet powerful, songs is like meeting a new friend and the feeling known them your whole life. Perhaps this is because all of her lyrics come from real events that have happened in her life, mostly during her time at UNC Chapel Hill. From the pits of heartbreak, to finally finding the self-confidence you’ve been looking for, Rodenbough really knows how to capture the more sensitive sides of life in a way that feels relatable and down to Earth.

Rodenbough told me, “I don’t write songs that are about a character, about someone else, I don’t really ever do a lot of storytelling in my music, which I would love to do more of. But when I sit down with a guitar, it is kind of therapeutic. It’s like, how am I feeling? How can I express that with the instrument that I have in front of me?”

Expressing herself through her guitar is what Rodenbough has become known for throughout the local music scene. With performances tightly scheduled between her two jobs, Rodenbough is like many musicians fresh out of college – trying to build a music career with a little bit of time, and a whole lot of heart. This also means working on her debut album, which she is hoping to release either this year, or next year, depending on what time allows.

She continued, “I’m in the process of recording some new material with some new musician pals and a new producer, and trying to find the direction I want to go in after college. Not necessarily a full 180. It’s kind of a cool experience because it feels a lot more intimate, and feels like you’re just with friends instead of a high pressure scenario.”

For the album itself, you can expect some Southern inspired Americana music, and some “sad-girl folk” music. Many of the songs will likely be focused on her experiences as a recent graduate, and all of the emotions that life brings during such a chaotic time. However, Rodenbough also had an opportunity to record her debut album somewhere that was as inspiring as it was beautiful.

“We went to a lake house in February, and recorded a couple of songs. It was just for a couple of days, but it was so serene and a great atmosphere for being creative and putting something together. It literally had a private view onto the lake. So while we were tracking, we were able to look at the lake and it was just really beautiful and inspiring. It was awesome,” she said.

Many of Rodenbough’s debut songs will be played this year at Shakori Hills. You can expect a smaller, more intimate performance from Rodenbough and two of her friends, including Justin Ellis from Happy Abandon on bass, and Daniel Faust on drums.

From the trio, she said we can expect, “A mix of high energy, as well as very mellow songs. This year [I’ve] stripped down the live performance to just me, a bass player, and drums. That’s been really great to make that feel bigger and feel full, even though we don’t have that second guitarist or a keys player or whatever it is. So yeah, people can expect to see me playing some really sad songs with some of my friends.”

Make sure to come check out MK Rodenbough at Shakori Hills this fall; the daily schedule will be coming out soon!

In the meantime, you can follow her page on Facebook, and listen to several of her songs on Soundcloud.

TerraBANG: A Band that Lives Up to the Name

August 1, 2019 by David Dean Leave a Comment

When it comes to groovy-funky-soul jams, it’s pretty hard to go wrong. With the smooth rhythms that keep the beat of your heart, to sultry lyrics that break us out of the prisons of our own design, a good R&B band is part of the recipe for a happy life (imho).

One of these rare bands happen to be right in our backyard, residing in the tall pines and cool breezes of Boone, North Carolina. Their name is TerraBANG, and they’re here to bring the vibe.

I met with Sergio Grossi who plays keys and contributes vocals to the band and he explained the band’s ethos, “What we’re trying to do is bring people together, to make people happy. We want to express ourselves to the fullest capability, and express the emotions we feel. People say that they like the album, like the songs, and different songs resonate with different people. We just want to create an experience for people when they hear our music. I want to make them happy, but I also want to make them cry.”

As far as their mission of bringing the feelings to your everyday R&B playlist, they are a massive success. TerraBANG dropped their first album, Seed, in 2018, which was an explosive first move onto the scene. With eleven songs that travel through the trials and tribulations of love and life, the songs are uncategorized by any big-named genres. One of the biggest reasons for the genre-defying sound is because of the varying musical interests of everyone in the band.

Grossi continued, “I would say that we have a bunch of different inspirations, and we take a little bit from everything. I feel like my solo music doesn’t really fall into just one category. I just released this album called Love Chronicles, which is like a hip hop album. I’m rapping on every song, but it’s not a great album to release on a hip hop or rap blog, because it’s unlike anything out there. TerraBANG is just like that, it’s unlike anything else out there.”

TerraBANG is comprised of a metal drummer, a couple of jazz musicians, an indie rocker, and a pop-driven vocalist who all know their way pretty well around just about any instrument you can put in front of them. Most of the members of the band were music majors at Appalachian State, and are putting those years of studying to good use.

Grossi said, “Everyone [has] high musical intelligence. So Hinton is pitch perfect, and Brady has relative pitch, and they all play about a thousand different instruments. They all play bass, trumpet, violin, mandolin, guitar, if you go on their Instagrams you’ll see them playing a bunch of different instruments. I would probably say that Aaron has relative pitch too, because he can transpose into any key at any time. If I wanted to sing a tune, he could just play it on his saxophone. Anything that he thinks of.”

As far as the upcoming fall Shakori Hills GrassRoots Festival, this is the group’s first venture down to Pittsboro for the event. After about two years performing together, TerraBANG has the kind of stage-presence that makes them impossible to miss. They plan to bring a couple of covers to get the crowd singing along, throw in a few of their own tunes from the 2018 album, and might even play a few from their upcoming release, due in September.

“They can expect us to blow their minds. For me it’s like every gig is a new chance to work as being a performer, and actually giving someone not just plenty of music, but getting them involved and to clap their hands and sing along, ” explained Grossi.

Make sure to come pay TerraBANG a visit this fall at Shakori Hills October 3 – 6, and watch out on their Facebook page for details on their upcoming new release.

You can stream Seed on their bandcamp page.

Check out their tune “Ambition & Affection” on YouTube:

The Tan & Sober Gentlemen: They Are None of the Three

July 26, 2019 by David Dean Leave a Comment

When it comes to Shakori Hills GrassRoots Festival staples, perhaps there is no act that quite embodies the zest for life and enjoyment of their craft quite like the Tan & Sober Gentlemen. Now on their fourth performance with us, the band consistently promises a set that is designed for the audience to really get involved. Yet, they also never take themselves too seriously, as evident by the story of their namesake.

Ben Noblit, bass player for the band, explained, “One of the very first shows that we played was up at this Irish pub in Raleigh, it was called Tir na Nog. We weren’t really a band yet, it was just a bunch of people playing music, and she (pub owner Annie Britton-Nice) introduced us as that because we weren’t any of the three. It went over really well so they invited us back, and before we knew it we were stuck with the name.”

The name ‘Tan & Sober Gentlemen’ has become nearly as iconic of a name as the sound that the band creates. Plus, as Noblit said, “it comes up first on Google.”

The Tan & Sober Gentlemen are a 7-piece coalition that fuse together the folk influences of North Carolina and the old familiar sounds of the Scottish Highlands, with the energy and fire of a punk-rock band. This combination is lovingly deemed “Celtic-punk-grass,” a name which feels as unique and spunky as the band members themselves. Yet, all three elements come earnestly from a lifelong love of each form of music, and a dedication to the genres that formed who they are today.

Noblit continued, “We all grew up playing North Carolina traditional music. We’re all Scottish and Irish to one degree or another. And all of that music, bluegrass, old-time music, country music, that all comes from Scotland and Ireland originally, and some from Africa also. And we wanted to kind of explore the Celtic roots of our kind of music, bring it back home a bit. We also like to play fast and drink liquor and have a good time.”

Having a “good time” has become what the band is truly known for. With their fast-paced tunes and a general enthusiasm for the music that they create, The Tan & Sober Gentlemen have gained a reputation as a kind of party band. Their focus is on creating an atmosphere where a crowd feels comfortable letting loose, and can experience this kind of music as it was meant to be experienced – through dancing.

“This kind of music, like old time fiddle music, it used to be dance music. Those boys were cutting loose as hard as they knew how. It’s party music…I would rather play to a place where people are up-close-and-personal with you, and are willing to interact with you and give you back your energy, and not put you on a pedestal. I want everyone being involved,” said Noblit.

Currently, the Tan & Sober Gentlemen are bringing their unique sound to the homeland of Celtic music. They will be touring through Scotland and Ireland, with stops in Cork, Dublin, Wexford, and Waterford. In Waterford, they will be playing at the Summer in the City Festival, which is a fairly big deal for the North Carolina-based band.

As for Shakori Hills, Noblit said, “Expect absolutely nothing different. It’s gonna be exactly the same as everything else we do. It’s gonna be the drum playing the same beat, and lot’s of fiddles and banjos…I’m very happy and blessed to be where we’re at, and I hope people come out.”

Look out for the Tan & Sober Gentlemen this fall, and make sure to check out their website at tanandsober.com.

Caique Vidal and Batuque: Bringing the Beats of Brazil to Shakori Hills

July 5, 2019 by David Dean Leave a Comment

The hot sun has just set, and a full moon has taken to the sky, as Caique Vidal and Batuque take the stage. Under the electric yellow lights of the dance tent, your heartbeat is quickening to match the beat of the drum. Whether you’ve just taken your first samba lesson, or you’ve been dancing for years, you feel at home busting a move out on the dance floor. It’s moments like these that are what Caique Vidal and Batuque specialize in.

Caique Vidal, the Brazilian-born frontman, leads a ten piece band based in Durham, NC named Batuque (pronounced Ba-too-KEE). Caique brings the sounds of samba to life with the kind of passion that only comes with a life-long love of learning to play music. Vidal is the chief songwriter and, as such, the band’s songs focus heavily on the traditional Afro-Brazilian influences that drew him to music in the first place.

Caique brings the sounds of samba to life with the kind of passion that only comes with a life-long love of learning to play music. Yet, his beginnings were humble, having discovered percussion when he was brought along to his mother’s dance class.

“I kept annoying the drummer, asking him to play his drums. And he was like, you know what? Just take this cowbell, go to the corner, just stay there in the corner. He thought that I had rhythm, and he was like ‘yo, your kid is actually good!”

Vidal’s love of Afro-Brazilian music only blossomed from there. After seeing several children playing the Djembe, he began to branch out into learning more and more instruments. This passion led him to join Olodum Mirin, which was a traveling band focusing on the social, racial, economical. During his time as a percussionist in the group, Olodum Mirin was featured in Michael Jackson’s They Don’t Care About Us.

“I was one of the 300 people to play behind Michael Jackson. Of course, you cannot spot me even in slow motion, but it was a blessing to be a part of that group, to get that training… I was there with the process of making the beat for percussion, to the original track that Michael Jackson has, I was there and it was such a great experience.”

From there, Vidal became a dancer with a premiere Brazilian Afro-Brazilian group called Balé Folclórico da Bahia. As part of their ensemble, he ended up traveling the world, which became an invaluable opportunity to share his culture with a world that was eager to learn. Yet, with long hours of rehearsal and many weeks spent on tour, it was also a crash course in being a professional artist, which Vidal took to kindly.

After his time with Balé Folclórico da Bahia, Caique Vidal came to North Carolina, and immediately became interested in the local music scene. He attended many local performances to learn more about how the music scene worked in the region. It wasn’t long before he began teaching his own classes in Durham about Afro-Brazilian music and culture, which he still does today. It was through his teaching that he met the members of Batuque.

“Through those lessons, I started learning about all of the positions for music and performing, and when I say that it’s a big family, it is true… Members of the band will say, ‘Hey I have this friend who likes the band and he plays this, he plays that, he would like to come to one of the rehearsals.’ Most of the time, these people do not stay. I started the band with five people, and now we have doubled and that is how I met the folks that I have today… The people who stay just really appreciate the music and have a respect and I have mutual respect for them as well.”

Caique Vidal and Batuque have really made a name for themselves in Durham and however inadvertently, gotten involved in civic issues. The group began hosting open-air rehearsals in Durham Central Park, a move which became controversial after several noise complaints were filed by residents in neighboring apartments. After several months of complaints, the Durham City Council decided to move the city’s noise ordinance to 9 PM to allow Vidal, and any other artist, to use the space for practice and performance.

As far as Caique Vidal’s music, he draws significantly from his life and his culture for inspiration. For their song T.Y.S.M. (Thank You So Much), the song combined the energy of the group’s shows with a thank you to Vidal’s ancestors, who paved the way for artists like him to create traditional music.

“A lot of people were killed and pursued to make sure we can practice today, so that we could know Samba, so we could speak a little bit of the Agumba and play the African rhythms that we play today. Without these people in the past, we would not be able to exist today.”

Songs like T.Y.S.M. and the rest of Caique Vidal and Batuque’s first album will be played at the fall festival, as well as three new songs from the group’s next album. Vidal is also hoping to make this year’s performance bigger and better than ever, to create a night that the audience will not forget. One of those surprises may include a 20-30 piece percussion ensemble called Oxembe, but the logistics of that are still being worked out.

Caique Vidal and Batuque will visit Shakori Hills GrassRoots Festival for the second time this fall. The band’s spring 2018 performance in the Dance Tent was very well received and festival organizers know Shakori fans appreciate local and World Music so it only made sense to bring them back.

Vidal said the experience of Shakori Hills is, “not just a music festival, it’s a place we go to share music with people, and people really get into it. It’s a carefree [place] where the main mission is to have fun. It’s really fun to me, I love it, I’m actually really happy to come back.”

Caique Vidal and Batuque’s music is available on all major streaming sites, and you can practice your samba at their live rehearsals every Monday night from 6:30-8:30 PM in Durham Central Park. Learn more about the band at www.caiquevidal.com.

Cas Haley: A New Kind of Grassroots

June 25, 2019 by David Dean Leave a Comment

In 2007, Cas Haley made a name for himself as a reggae artist by coming in second place on America’s Got Talent. Fame and fortune had, seemingly, been hand delivered to the Texas-based singer-songwriter on a platter. Yet, with all of the glamour of a big-name record deal came a huge amount of pressure to conform to a specific image. For Haley, that left very little room for exploring the more personal aspects of identity, especially as an artist.

When it comes to musicians self-identifying as, “grassroots,” they often mean that they are starting out in the music industry, or establishing a local base of fans. For Cas Haley however, his grassroots identity refers to a more homegrown sound, and a slower, more mindful pace. This identity comes after nearly thirteen years in the industry, and it’s a title that he wears with pride.

“I hadn’t really realized who I was as an individual or a person. It was a very vulnerable situation to be put into where companies have millions of dollars invested in you, and they’re going to portray you in a certain way and they’re going to write songs for you, when [music] had always been such a personal thing for me and sort of self-therapy.”

In the years since his big break, Haley’s music has returned to that self-therapy that had initially made music so important for him. While many of Haley’s songs do incorporate the island-style reggae tunes that he became famous for, many more of his songs draw on the blues-country influences of his childhood. With every record, Haley’s music becomes more personal, and better showcases him as an individual, and as an artist.

With his latest album, Lessons and Blessings, Haley brings a more personal and evocative view into his life, and into his music. The album was written over the past year after his wife, Cassy, was diagnosed with a rare and aggressive form of breast cancer. Yet, their family remained optimistic, only growing closer together through her treatment. It was during this time that Cas and Cassy were able to create an album that was truly special for them.

“Over half of the album, me and my wife wrote together. A lot of it was centered around the things that came up through dealing with her cancer, dealing with this whole thing. Me and my wife have been together for 20 years, and we never were creative together in writing songs or anything. It was a really new and interesting relationship, y’know what I mean? 20 years and we’ve never done this, it’s so exciting and so fun. I think it’s the best tunes I’ve gotten to be a part of.”

The album was released on June 21, and was recorded entirely on the Haley family farm, allowing the whole family to be a part of the process. His family has also been accompanying him on tour, making his entourage one of the more supportive in show business.“We know the kinds of places we wanna go, and so our approach has become more mindful rather than just shooting from the hip and playing every rock club we can.”

This fall, their tour schedule will be bringing the family down to Shakori Hills GrassRoots Festival for a weekend of grassroots fun in the sun. Though Haley is a newcomer to the festival, he will definitely be an act to remember. As for his performance, Haley says that he and his band will, “try to keep it as real as we possibly can, so we’ll bring our hearts to the table, it’s what we do every time and it’s what we’ll do at Shakori Hills.”

Before seeing him in October check out his YouTube channel to get to know Cas and his family better. Also make sure to check out his website and stream Cas Haley’s latest album, Lessons and Blessings on all major online outlets.

Sound Advice

May 2, 2019 by David Dean 2 Comments

Guest Blog submitted by Ray Goodrich, Marketing Director Foothills Brewing

Our Five Senses are largely how we perceive the world around us. Sight, Sound, Smell, Taste, and Touch. Everything you know, everything you feel, everything that’s ever happened to you . . . has been aided, abetted or initiated by those senses. And the beautiful thing is, there’s a relationship between all of them. Smell helps taste, hearing helps sight, touch helps . . . well, all of them. And if one stops working? The others will take over and become stronger as a result. The Senses weave together a corporeal tapestry that allows us to immerse ourselves in the known universe.

I bring this up because . . . well, I’m convinced that good beer makes good music sound better. And good music makes good beer taste better.

Now, hear me out. (ha!) Not just any beer, mind you. And not just any music. Well, almost any music. But in particular, live music.

Let’s say you’re at a show (like Shakori Hills). You can be there enjoying the music (sound). You can see the band and the crowd (sight). Smell and touch are in play too (though decorum prohibits me from elaborating).

What’s missing? Taste! Sure, there are probably great food options available at your show. But who wants to rock out while juggling a Philly cheesesteak? Each has their place – just not, in my opinion, to be enjoyed together.

No, what every truly transcendent music experience calls for is an equally superior craft beer. One that stimulates you with the cold touch of the cup, the aromatic whiff of the hops, and the heady sight of white foam atop golden liquid – and ultimately, with the superior taste that this particular situation demands. A taste that, under these circumstances, only a cold craft beer can provide.

When (not if) you come to Shakori Hills this year, please feel free to put this theory to the test. You may find yourself transferring the good vibe you’re feeling from the music to that cold Hoppyum in your hand – and vice versa.